After reading Chapter 19, you should be able to identify and explain the historical significance of each of the following:

Scott Joplin and ragtime

"pull factors," "push factors"

"old immigrants" and "new immigrants"

Castle Garden, Ellis Island, Angel Island

Victorian morality

Henry Ward Beecher

Catharine Beecher, The American Woman's Home

cult of domesticity and "the woman's sphere"

Rowland H. Macy, John Wanamaker, and Marshall Field

Charles W. Eliot and Andrew D. White

political boss, machine, and ward captain

Tammany Hall and William Marcy Tweed

Thomas Nast

Jacob Riis

Robert M. Hartley and the New York Association for Improving the Condition of the Poor

Charles Loring Brace and the Children's Aid Society

Josephine Shaw Lowell and the Charity Organization Society

Anthony Comstock

Charles Parkhurst

Washington Gladden, Walter Rauschenbusch, and the Social Gospel

Jane Addams and Hull House

Florence Kelley

New York Knickerbockers and Cincinnati Red Stockings

John L. Sullivan

the new woman

Charles Eliot Norton, E.L. Godkin, and genteel culture

Henry James

Mark Twain (Samuel Langhorne Clemens)

Sarah Orne Jewett and the regionalists

Stephen Crane and the naturalists

Theodore Dreiser, Sister Carrie

Thorstein Veblen, The Theory of the Leisure Class

Frank Lloyd Wright

Winslow Homer and Thomas Eakins

Frances Willard and the Woman's Christian Temperance Union

Charlotte Perkins Gilman, Women and Economics

Kate Chopin, The Awakening

William Torrey Harris

Creoles, Cajuns, Storeyville, and Dixieland jazz